Sam Jacob explores architectural representation through drawing at Sir John Soane's Museum
Sam Jacob led a drawing workshop at the Soane Museum in London, using the historic house-museum as a site to investigate the relationship between architecture and representation. The event involved students engaging with the museum's collection and spaces, which include antiquities, architectural models, and artworks like a Canaletto painting of Venice. Jacob highlighted how Sir John Soane designed the building as both a home and a pedagogical tool, blurring lines between real architecture and its depictions. Examples included a cupola that was repurposed from a model and a strategically placed painting to create illusions. The workshop drew on drawing philosophies from Soane, John Ruskin, and Wassily Kandinsky, exploring different approaches to depicting space and shadow. Jacob contrasted these historical methods with contemporary CGI in architecture, noting its photorealistic tendencies and potential limitations. He argued that digital tools offer untapped possibilities for architectural representation beyond default algorithms. The article originally appeared in ArtReview's October 2015 issue.
Key facts
- Sam Jacob conducted a drawing workshop at the Soane Museum
- The workshop explored connections between architecture and representation
- Sir John Soane designed the museum as a house and office in Lincoln's Inn Fields
- The museum features a collection of antiquities and architectural fragments
- A Canaletto painting of Venice is displayed to create an illusion
- Drawing philosophies of Soane, John Ruskin, and Wassily Kandinsky were referenced
- Jacob critiqued CGI as a dominant but limited mode in architectural communication
- The article was published in ArtReview in October 2015
Entities
Artists
- Sam Jacob
- Sir John Soane
- Canaletto
- John Ruskin
- Wassily Kandinsky
Institutions
- Soane Museum
- ArtReview
Locations
- London
- United Kingdom
- Lincoln's Inn Fields
- Venice
- Italy