Salvatore Iaconesi on Art, Cancer, and COVID-19: La Cura Returns
Artist Salvatore Iaconesi, who in 2012 turned his brain cancer diagnosis into the open-source art project "La Cura," has seen a recurrence of the disease coinciding with the COVID-19 pandemic. He underwent surgery on March 4, 2020, and is recovering. Iaconesi reflects on the synchronicity, using his art to explore the intersection of individual tragedy and ecosystemic complexity. He discusses two works: "Constrained Cities," a wearable art piece that uses AI and profiling data to deliver electric shocks when a wearer enters a city area deemed unsuitable by the algorithm, critiquing algorithmic segregation; and "Baotaz," a "augmented sense" that allows wearers to physically experience planetary interconnections, such as climate change or collective emotions. Iaconesi argues that art can transform the intransformable, turning tragedy into opportunity by making technical data existential. He calls for a "Cultura Ecosistemica" (Ecosystemic Culture) where art, science, technology, and society collaborate. The article is part of Artribune's series asking artists how they are spending lockdown.
Key facts
- Salvatore Iaconesi's cancer has returned, coinciding with the COVID-19 pandemic.
- He underwent surgery on March 4, 2020.
- His 2012 project "La Cura" is an open-source artistic response to his illness.
- "Constrained Cities" is a wearable art piece using AI to deliver electric shocks based on profiling data.
- "Baotaz" is an augmented sense device for experiencing planetary interconnections.
- Iaconesi advocates for art as a tool for social evolution and ecosystemic culture.
- The article is part of Artribune's series on artists during lockdown.
- Iaconesi's work explores the relationship between individuals and complex systems.
Entities
Artists
- Salvatore Iaconesi
- Alfredo Pirri
- Valentina Tanni
Institutions
- Artribune
- Fondazione Neuromed
Locations
- Italy