Salvatore Arancio on Ceramics as a Liberating Medium
Salvatore Arancio (Catania, 1974) discusses his use of ceramics in contemporary art, emphasizing a playful, process-driven approach that prioritizes spontaneity over technical mastery. He contrasts the material's sensory, pre-conscious dimension with the refined finishes of lustres, aiming to disorient viewers. Arancio highlights collaborations with artisans like Bottega Ceramica Gatti in Faenza, where traditional techniques merged with his own to create novel effects. His work has been featured at the 2017 Venice Biennale main section and a 2018-2019 solo exhibition at Whitechapel Gallery in London. He rejects nationalistic frameworks, instead embracing transnational influences, as seen in his Mexican residency where he connected local techniques to ancient bucchero ware. Arancio cites Ken Price, Lucio Fontana, and Leonardo Leoncillo as influences. The interview is part of Artribune's series "Touched for the very first time," exploring artists' first encounters with ceramics.
Key facts
- Salvatore Arancio was born in Catania in 1974.
- He participated in the main section of the 2017 Venice Biennale.
- His solo show at Whitechapel Gallery in London ran until January 2019.
- He collaborated with Bottega Ceramica Gatti in Faenza.
- He has undertaken residencies in Piedmont, Sicily, and Mexico.
- He cites Ken Price, Lucio Fontana, and Leonardo Leoncillo as influences.
- The interview is part of Artribune's series 'Touched for the very first time'.
- Arancio views ceramics as a material like any other, used when conceptually relevant.
Entities
Artists
- Salvatore Arancio
- Ken Price
- Lucio Fontana
- Leonardo Leoncillo
- Irene Biolchini
Institutions
- Artribune
- Whitechapel Gallery
- Biennale di Venezia
- Bottega Ceramica Gatti
- Federica Schiavo Gallery
- Museo Internazionale delle Ceramiche in Faenza
- University of Malta
Locations
- Catania
- Italy
- Venice
- London
- United Kingdom
- Faenza
- Piedmont
- Sicily
- Mexico
- Turin
- Loudon Collection