Salisburgo: Hinterhäuser lascia, Karin Bergmann direttrice ad interim
The 2026 Salzburg Festival begins with an intriguing situation: Markus Hinterhäuser, the architect behind the program, has stepped down, leaving Karin Bergmann to take on the role of interim artistic director. Although the official reason cited is 'irreconcilable differences,' underlying governance concerns are believed to be at play. Established in 1920, the festival has transformed European musical theater by merging tradition with modernity. Hinterhäuser, inspired by Gérard Mortier, assigned classic works to directors such as Romeo Castellucci and Peter Sellars, who pushed boundaries. While some productions sparked debate, this embrace of risk defined the festival's essence. As European festivals gain economic prominence, the demand for shareable and sustainable choices intensifies. Hinterhäuser broadened the 20th-century repertoire but did not initiate new operas, raising doubts about the future of cultural experimentation.
Key facts
- The 2026 Salzburg Festival opens with Markus Hinterhäuser's program but Karin Bergmann as interim artistic director.
- Hinterhäuser's departure was due to 'irreconcilable differences' and governance issues.
- The Salzburg Festival was founded in 1920 in Mozart's city.
- Hinterhäuser is a pianist and intellectual influenced by Gérard Mortier.
- Directors associated with Hinterhäuser include Romeo Castellucci, Peter Sellars, Barrie Kosky, and Ulrich Rasche.
- Hinterhäuser did not commission new operas during his tenure.
- The festival's identity was defined by a willingness to accept failure.
- Major European festivals are now international brands and tourist attractions.
Entities
Artists
- Markus Hinterhäuser
- Karin Bergmann
- Gérard Mortier
- Romeo Castellucci
- Peter Sellars
- Barrie Kosky
- Ulrich Rasche
- Tila Lara
Institutions
- Salzburg Festival
- Artribune
Locations
- Salzburg
- Austria