Sadie Benning's 2016 Exhibitions at Mary Boone Gallery and Callicoon Fine Arts Explore Pilgrimage and Gender Politics
From April 28 to July 29, 2016, Sadie Benning showcased dual exhibitions at Callicoon Fine Arts and Mary Boone Gallery. The displays featured vibrant, large-scale paintings that employed collage techniques with acrylics, resin, and casein, drawing inspiration from 17th-century Pilgrim writings. Significant pieces included Mayflower Now (2015), Coin (2015), and The Crucifixion (2015), which addressed the transgender bathroom-access controversy in North Carolina. Benning, who transitioned from female to male, critiques organized religion and examines gender identity. Additional works comprised Worm God (2015) and Grey God (2015). With a career spanning two decades, Benning began creating video art at MoMA at 19 and participated in the 1993 Venice Biennale. Born in Madison, Wisconsin, in 1973, his artistic practice encompasses video, painting, and multimedia.
Key facts
- Exhibitions ran from April 28 to July 29, 2016
- Shows presented simultaneously at Mary Boone Gallery and Callicoon Fine Arts
- Benning transitioned from female to male in recent years before the exhibitions
- The Crucifixion (2015) commented on North Carolina's transgender bathroom debate
- Benning was included in the 1993 Venice Biennale at age 20
- Had first Museum of Modern Art show at age 19 featuring video works
- Born in Madison, Wisconsin in 1973 to filmmaker father James Benning
- Artistic practice spans video, painting, and multimedia works
Entities
Artists
- Sadie Benning
- James Benning
- Mike Kelley
- Matisse
Institutions
- Mary Boone Gallery
- Callicoon Fine Arts
- Museum of Modern Art
- Venice Biennale
- CalArts
- NADA New York
- artcritical
Locations
- New York
- United States
- 745 Fifth Avenue
- 58th Street
- 49 Delancey Street
- Eldridge Street
- North Carolina
- Madison
- Wisconsin