Ryusuke Hamaguchi's 'Evil Does Not Exist' explores ecological conflict through fable-like narrative

Ryusuke Hamaguchi's film 'Evil Does Not Exist' presents a fable-like exploration of tensions between ecological preservation and capitalist development. The story follows Takumi, a forest dweller who teaches his daughter Hana about their natural surroundings while collecting water for a local restaurant. Conflict emerges when a talent agency proposes a glamping site development near Takumi's hut, seeking post-pandemic project funds. Villagers confront agency staff Takahashi and Mayuzumi about water pollution risks and logistical flaws during a tense presentation. Hamaguchi, director of the acclaimed 'Drive My Car' (2021), captures subtle power dynamics through characters' interactions with objects like microphones. The film originated from a musical collaboration with composer Eiko Ishibashi, with some footage initially shot as the short 'Gift' (2023) to accompany her live performances. Ishibashi's dissonant score creates an eerie atmosphere over forest scenes. Narrative elements include Hana's quest to find deer, Takahashi's decision to quit his job after forest experiences, and unexplained aspects like Hana's absent mother. The ending references the medieval Japanese tale 'The Tale of Bamboo Cutter' through Hana's Kaguya-like departure. Despite its title, the film maintains indeterminacy while examining how forest and urban lives remain entangled.