Rose Klabin's ceiling installation and anti-exhibition by Cabelo explore Brazilian conflict and resistance

Rose Klabin has created a ceiling installation, described as a cry of resistance, within an exhibition context. The work is part of a broader presentation that includes multiple canvases addressing art in a country experiencing conflict. Another component features an anti-exhibition by the artist Cabelo, incorporating a shamanic element. These artistic expressions are framed as records of a nation in turmoil, with references to Rio de Janeiro's altered landscape—absent of its beach, Christ the Redeemer, and Corcovado mountain. The exhibition engages with places of thought, suggesting a conceptual exploration of Brazilian identity and social conditions. The presentation appears in a venue associated with contemporary art discourse in Brazil, focusing on critical reflection through visual media.