Rosa Barba's Phone Monologue on Cinema and Visual Culture
In a podcast monologue, Italian artist Rosa Barba (born 1972 in Agrigento, based in Germany) reflects on the overwhelming visual culture of contemporary life. She questions whether daily visual consumption is an extension of cinematic experience or fundamentally different, and explores how cinema can be a disruptive, anarchic force rather than just another data stream. Barba's practice spans film, video, kinetic sculptures, and installations. She creates a cinematic architecture of stories, machines, sounds, environments, and publications, often based on oral translations, opinions, and unofficial documents, spotlighting forgotten popular culture. Since 2004, she has produced the irregular periodical Printed Cinema, a parallel project extending her reflection on cinematography. Barba received the 2016 Prix International d'Art Contemporain (PIAC) from the Fondation Prince Pierre de Monaco and has shown at the 32nd São Paulo Biennial and the 53rd and 56th Venice Biennales.
Key facts
- Rosa Barba was born in Agrigento, Italy in 1972.
- She has lived in Germany for several years.
- Her artistic practice includes film, video, installations, and kinetic and cinematic sculptures.
- Barba questions whether daily visual culture is an extension of cinematic experience.
- She aims to create a new form of auditorium for greater viewer interaction and thought expansion.
- She has produced the periodical Printed Cinema since 2004.
- She won the Prix International d'Art Contemporain (PIAC) in 2016.
- Her work has been featured at the 32nd São Paulo Biennial and the 53rd and 56th Venice Biennales.
Entities
Artists
- Rosa Barba
- Donatella Giordano
- Alessandra Rantucci
Institutions
- Artribune
- Fondation Prince Pierre de Monaco
- Biennale di San Paolo
- Biennale di Venezia
Locations
- Agrigento
- Italy
- Germany
- San Paolo
- Brazil
- Venezia