Roberto Juarez's 1980s New York paintings explore Latino and queer identity in new monograph

Edited by Fabio Cherstich, a new publication delves into the artwork of Mexican American artist Roberto Juarez, focusing on his contributions to the East Village art scene during the 1980s. This book coincides with two exhibitions at Apalazzo Gallery in Brescia and Palazzo Tiepolo in Venice, showcasing twenty-five oil-on-paper pieces created between 1981 and 1985, which were rediscovered during the lockdown. Notable works, such as Pac Man Pico (1984), explore themes of Latino identity and cultural hybridity. Juarez's ties to the New York queer community, particularly following the 1993 passing of his friend Arch Connelly due to the AIDS crisis, are highlighted. The book features insights from Edward J. Sullivan, personal photographs, an interview with Mark Tambella, and historical materials, collectively portraying a generation of artists.