Richard Monnier's Rare Exhibition at Domaine de Kerguéhennec

From September 21 to December 8, 2002, Richard Monnier, a French artist celebrated for his infrequent exhibitions, showcased a comprehensive overview of his work at Domaine de Kerguéhennec in Bignan, France. Jean-Marc Huitorel reviewed the exhibition in artpress, highlighting Monnier's transition from sculptural objects to photography, drawing, and computer-generated projections. Huitorel points out Monnier's dual role as an artist and researcher, emphasizing speculative function over constant production. Central to his work is the inquiry, 'with what to make art?', resonating with both conceptual artists and painters like Hantaï and Morellet. Monnier's exploration of form's emergence from material processes rather than intention leads to an eclectic style, diverging from minimalism through the use of humble materials, as seen in works like Accroché, d'après Eva (1991) and Je vous dois la vérité en couleurs (1996). Huitorel observes that the artist's enjoyment and humor resonate with viewers, illustrated by a piece created from basketballs, paint, and concrete rods.