Restoration as the Art of Renouncing Art
The article explores the relationship between art and restoration, arguing that restoration is not always about art but often about artifacts of historical and artistic interest. It distinguishes between artistic and historical value, noting that objects like archival documents or protected natural elements may have only historical value. The author emphasizes that restorers must understand art materially, not historically, through deep knowledge of materials and techniques. Restoration involves living with the artwork, observing and touching it over extended periods. Interpretation is crucial but must suppress personal artistic expression to highlight the authentic work. The best restoration is the art of renouncing art as personal expression.
Key facts
- Restoration deals with artifacts of historical and artistic interest, not always art.
- Objects may have only historical value, e.g., archival documents or protected trees.
- Restorers must know art materially, not historically.
- Knowledge of materials and techniques is essential for conservation.
- Restoration involves direct, prolonged contact with the artwork.
- Interpretation in restoration must suppress personal artistic expression.
- The goal is to make the authentic work emerge, not the restorer's creativity.
- The best restoration is the art of renouncing art as expression.
Entities
Institutions
- Artribune
- Università Ca' Foscari di Venezia
Locations
- Italy