Renato Barilli Urges Eugenio Viola to Restore Italian Pavilion's Prominence at Venice Biennale
In an open letter published on Artribune, Renato Barilli, professor emeritus at the University of Bologna, appeals to Eugenio Viola, curator of the Italian Pavilion at the 2022 Venice Biennale, to reclaim a more central location for the pavilion. Barilli recalls that in 1972, when he co-curated the Italian participation with Francesco Arcangeli, the pavilion occupied a dominant suite of rooms in the Central Pavilion's right wing. He criticizes the current placement at the far end of the Corderie, describing it as the most inconvenient spot, often poorly lit, and argues that Italy, as host country, should not be overly modest. He notes that the pavilion's curator was proposed by the duo Gioni-Alemani, who oversee the entire Biennale. Barilli urges Viola to make every effort to return to the former prestigious location, and warns that he will send a similar open letter to Cecilia Alemani. The letter reflects Barilli's broader concern about Italy's diminishing presence in its own Biennale, citing that recent directors have invited only two Italian participants.
Key facts
- Renato Barilli wrote an open letter to Eugenio Viola about the Italian Pavilion at the Venice Biennale.
- Barilli co-curated the Italian Pavilion in 1972 with Francesco Arcangeli.
- The Italian Pavilion was previously located in the Central Pavilion's right wing.
- The current location is at the far end of the Corderie.
- Barilli criticizes the location as inconvenient and poorly lit.
- Eugenio Viola was proposed as curator by Gioni-Alemani.
- Cecilia Alemani is the director of the 2022 Venice Biennale.
- Barilli plans to send a similar letter to Cecilia Alemani.
Entities
Artists
- Renato Barilli
- Eugenio Viola
- Francesco Arcangeli
- Cecilia Alemani
- Gioni-Alemani
Institutions
- Artribune
- University of Bologna
- MAMBO Bogotà
- Venice Biennale
- Italian Pavilion
Locations
- Venice
- Italy
- Bogotà
- Colombia
- Giardini
- Corderie