Regina Vater reflects on 1968 Brazil: Tropicália, political violence, and artistic response
In 1968, Regina Vater, a 25-year-old artist inspired by the Tropicália movement in Rio de Janeiro, crafted a cover for Caetano Veloso's album 'Tropicália: ou Panis et Circencis,' although it was ultimately substituted with a photograph. This movement marked a shift from bossa nova, drawing on urban sounds and natural landscapes. After the police murder of student Edson Luís de Lima Souto, Vater created his portrait, which appeared in Jornal do Brasil. She was involved in the 'Passeata dos Cem Mil' protests, where she observed student leader Vladimir Palmeira. In 1969, during the regime of dictator Emílio Garrastazu Médici, she designed a beach installation at Copacabana. After receiving an award, she relocated to New York, returning to Brazil in 2011, and remarked that the current political atmosphere feels more ominous than during the dictatorship.
Key facts
- Regina Vater was 25 in 1968 and living in Rio de Janeiro
- She was commissioned to design the cover for Caetano Veloso and Gilberto Gil's album 'Tropicália: ou Panis et Circencis'
- Her painting of murdered student Edson Luís de Lima Souto was published in Jornal do Brasil
- She participated in the 'Passeata dos Cem Mil' demonstrations with Milton Temer
- She witnessed student leader Vladimir Palmeira speak at the protests
- In 1969, she created a beach installation with a Black Madonna on Copacabana
- She moved to New York and met Hélio Oiticica there
- She returned to Brazil in 2011 and finds the current political situation 'even more sinister'
Entities
Artists
- Regina Vater
- Caetano Veloso
- Gilberto Gil
- Evandro Teixeira
- Milton Temer
- Vladimir Palmeira
- Hélio Oiticica
- John Lennon
Institutions
- Jornal do Brasil
- ArtReview
Locations
- Rio de Janeiro
- Brazil
- New York
- United States
- Paris
- France
- Central Park
- Copacabana