Reflections on Art Criticism Through Gardening and Routine
The writer compares gardening, furniture assembly, and art criticism, underscoring the anxiety and tendency to procrastinate that often accompany writing. John McPhee's 2017 essay collection, Draft No. 4, is referenced for its organized approach and instances of panic. A quote from E.M. Forster about understanding thoughts through expression highlights the ambiguity present in criticism. Creative individuals like Haruki Murakami, Lucien Freud, David Lynch, and Patricia Highsmith are noted for their routines, including Murakami's daily runs and others' habitual meals. In 2017, Gary Shtyngart and Jia Tolentino penned essays for the New Yorker discussing watches and skincare as coping strategies after the Trump election. The author, who taught a critical writing course recently, reflects on expressing opinions about art. Criticism is portrayed as a craft intertwined with existential worries, including fears of AI taking over and becoming obsolete. The piece concludes by likening criticism to gardening, serving as a method to impose order and alleviate tension.
Key facts
- The author compares gardening and furniture assembly to art criticism
- John McPhee's Draft No. 4 (2017) discusses essay structuring and panic
- E.M. Forster's quote on knowing thoughts through expression is referenced
- Haruki Murakami runs 10 kilometers daily as a routine
- Lucien Freud, David Lynch, and Patricia Highsmith ate the same meals daily
- In 2017, Gary Shtyngart and Jia Tolentino wrote New Yorker essays on coping mechanisms
- The author taught a critical writing course a couple of years ago
- Criticism is viewed as a craft with fears of AI replacement and irrelevance
Entities
Artists
- John McPhee
- E.M. Forster
- Haruki Murakami
- Lucien Freud
- David Lynch
- Patricia Highsmith
- Gary Shtyngart
- Jia Tolentino
Institutions
- New Yorker
- ArtReview