Reconsidering Wagner: New French Translations Shed Light
A new French translation of Richard Wagner's autobiography 'Ma Vie' and a selection of his letters edited by Christophe Looten offer a more nuanced view of the composer. The autobiography, dictated to his wife Cosima from 1865 at the behest of King Ludwig II of Bavaria, reveals Wagner's chaotic path from a moderately gifted musician to a genius, including his fluctuating anti-Semitism. Letters show his admiration for non-German composers like Offenbach, whom he called a 'second Mozart,' and his later disavowal of the anti-Semitic movement. The article argues that Wagner's contradictions—his pettiness and grandeur—require a fair reassessment, especially as he planned to move to America before his death in Venice in 1883.
Key facts
- New French translation of Wagner's autobiography 'Ma Vie' published by Perrin.
- Christophe Looten edited a selection of Wagner's letters published by Fayard.
- Wagner dictated 'Ma Vie' to his wife Cosima from 1865 under order of King Ludwig II of Bavaria.
- Wagner's anti-Semitism was fluctuating and differed from Cosima's and Houston Stewart Chamberlain's hatred.
- Wagner admired non-German composers including Offenbach, Bellini, and Halévy.
- In 1881, Wagner wrote to impresario Angelo Neumann that he had 'nothing in common with the current anti-Semitic movement'.
- Wagner planned to move to America at the end of his life.
- Wagner died in Venice in 1883.
Entities
Artists
- Richard Wagner
- Christophe Looten
- Cosima Wagner
- Louis II of Bavaria
- Édouard Schuré
- Berlioz
- Johann Jakob Sulzer
- Berthold Auerbach
- Félix Mendelssohn-Bartholdy
- Giacomo Meyerbeer
- Ferdinand David
- Houston Stewart Chamberlain
- André Suarès
- Gaspare Spontini
- Vincenzo Bellini
- Jacques Fromental Halévy
- Offenbach
- Eduard Hanslick
- Angelo Neumann
- Jean-Philippe Guinle
Institutions
- Perrin
- Fayard
- artpress
Locations
- Bayreuth
- Leipzig
- Venice
- America
- Germany
- France
Sources
- artpress —