Rebecca Moccia and Christian Caliandro on Art as Distance and Neovernacular
In a letter exchange published on Artribune, artist Rebecca Moccia and art historian Christian Caliandro discuss the necessity of distance in art-making. Caliandro argues that art and writing must come from outside life, not from within the action, citing war reporters like George Orwell and Michael Herr as examples. Moccia responds by emphasizing that art is magnetically attracted to action, living in a state of perpetual desire. The text also explores the concept of "neovernacular," described as naive yet sophisticated, brutal, and consciously stupid, rooted in peasant and ancestral traditions. References include Carl Gustav Jung, Andy Warhol's "Piss Painting" (1978), and films by Joris Ivens and Luigi Di Gianni.
Key facts
- Christian Caliandro is an art historian born in 1979.
- Caliandro teaches at the Accademia di Belle Arti di Firenze.
- The exchange is part of a series titled 'Trappole dell’acting'.
- Moccia references her newsletter about the concept of 'catarifrangenza'.
- The term 'neovernacular' is defined as preexisting and not creatable.
- Andy Warhol's 'Piss Painting' from 1978 is mentioned.
- Joris Ivens' 1960 film 'L’Italia non è un paese povero' is cited.
- Luigi Di Gianni's 1958 film 'Magia Lucana' is referenced.
Entities
Artists
- Rebecca Moccia
- Christian Caliandro
- Carl Gustav Jung
- George Orwell
- Ernest Hemingway
- Michael Herr
- Andy Warhol
- Joris Ivens
- Lino Del Fra
- Ernesto De Martino
- Luigi Di Gianni
- Alice
Institutions
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
- Artribune
Locations
- Firenze
- Italy
- Mondello
- Venezia