Ready-made and immersive art are no longer cool, argues Pericle Guaglianone
Pericle Guaglianone argues that ready-made and immersive art have lost their 'coolness,' citing Paola Pivi's helicopter installation in a Cremona church as a weak work despite its timely war themes. He contends that the 'wow effect' of such paradigms has faded, leaving artists unable to rely on hype alone. The piece traces this lineage from Pino Pascali and Alberto Savinio to Maurizio Cattelan and Pivi, noting that a 90% of environmental installations may now be as mediocre as bad paintings. However, Guaglianone believes this is a phase of desacralization, not death, and that mature stabilization will follow, as with Eisenstein's films. He advises against panic, suggesting that artists are pivoting to other forms, while awaiting new masterpieces.
Key facts
- Paola Pivi's 'A helicopter upside down' is installed in a church in Cremona.
- Pivi won the Golden Lion at the Venice Biennale for a similar work from the late 1990s.
- Guaglianone links Pivi and Cattelan to Pino Pascali and Alberto Savinio.
- The article claims ready-made and immersive art are no longer 'cool'.
- Guaglianone states that 90% of environmental installations may be as bad as 90% of paintings.
- A meme with Fantozzi's cry 'Le mostre immersive sono una ca**ta pazzesca!' is cited.
- The article references Mark Rothko's view that art is primarily ecstasy.
- Guaglianone predicts a third phase of mature stabilization, as with Eisenstein's films.
Entities
Artists
- Paola Pivi
- Maurizio Cattelan
- Pino Pascali
- Alberto Savinio
- Mark Rothko
- Sergei Eisenstein
- Pericle Guaglianone
Institutions
- MAMbo
- Biennale di Venezia
- Artribune
- Amazon
Locations
- Cremona
- Italy
- Bologna
- Venice
- Rome