Re:Humanism Finalists Exhibition at Albumarte in Rome

The exhibition Re:Humanism, curated by Daniela Cotimbo and organized by Alan Advantage, has opened at Albumarte in Rome, showcasing works by ten finalists of the eponymous competition. The show explores the relationship between humanity and algorithmic processes, with a focus on artificial intelligence. Artists employ diverse technologies and aesthetics, from Albert Barqué-Duran, Mario Klingemann, and Marc Marzenit's combination of neural networks and painting to reflect on the classical theme of the Muses, to Daniele Spanò's project entrusting a computer with an endless game of rock-paper-scissors. The winning work, The Fall by Giang Hoang Nguyen, uses installation and performance to ironically reenact a robotic fall without any technology. During the opening, Enrico Boccioletti performed his sound installation Devenir-fantôme (2018), which uses software to simulate human emotions like boredom, despair, and fear.