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Raphaelle Peale's 1822 painting Venus Rising from the Sea—A Deception at Nelson-Atkins Museum

publication · 2026-04-22

Raphaelle Peale's 1822 painting Venus Rising from the Sea—A Deception [After the Bath] is held in the collection of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The work was discussed in an artcritical article published on November 28, 2015. Peale, an American still-life painter, created this trompe l'oeil piece that plays with visual perception. The museum in Kansas City houses this significant example of early 19th-century American art. The painting's exact creation date carries some uncertainty, indicated by the question mark following 1822. Artcritical's coverage highlighted Peale's contribution to American still-life traditions through this particular work. The Nelson-Atkins Museum maintains this painting as part of its permanent collection. The article appeared on the artcritical website powered by WordPress.

Key facts

  • Raphaelle Peale painted Venus Rising from the Sea—A Deception [After the Bath]
  • The painting dates from approximately 1822
  • The Nelson-Atkins Museum of Art in Kansas City, Missouri owns the work
  • Artcritical published an article about the painting on November 28, 2015
  • Peale was an American still-life painter
  • The painting employs trompe l'oeil techniques
  • The work represents early 19th-century American art
  • Artcritical's website is powered by WordPress

Entities

Artists

  • Raphaelle Peale

Institutions

  • The Nelson-Atkins Museum of Art
  • artcritical

Locations

  • Kansas City
  • Missouri
  • United States

Sources