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Rainier Lericolais' 'Leah’le, la voix du Dibbouk' at Musée d'art et d'histoire du judaïsme

exhibition · 2026-04-24

Rainier Lericolais' animated film 'Leah’le, la voix du Dibbouk' (2021, 16 min 45) is on view at the Musée d'art et d'histoire du judaïsme in Paris until October 31, 2021, as part of an extended Nuit Blanche. The work reinterprets the classic Yiddish play 'The Dybbuk' by Shalom An-ski (1915), previously adapted to film by Michał Waszyński (1938). Lericolais, known primarily for drawings and sculptures, expands his practice into video, combining music and visual arts through collage. The film is composed of numerous Photoshop layers derived from cardboard play and light phenomena, reflecting Waszyński's film via a CD captured by a computer camera. Lericolais first composed the soundtrack—a collage of crackles, instruments, and decomposed voices from An-ski's text—then let a calculated randomness govern the marriage of image and sound. The film's 'beat' of 24 frames per second parallels the musical measure, creating a dybbuk-like experience between host and guest. A small scannogram by the artist is also installed next to the presentation text. Lericolais uses a phone, computer, or scanner for both photo and video, demonstrating that his collages extend beyond drawing.

Key facts

  • Rainier Lericolais' film 'Leah’le, la voix du Dibbouk' is exhibited at Musée d'art et d'histoire du judaïsme, Paris, until October 31, 2021.
  • The film is an animated reinterpretation of Shalom An-ski's 1915 play 'The Dybbuk', adapted to film by Michał Waszyński in 1938.
  • Lericolais combines music and visual arts, a departure from his usual focus on drawings and sculptures.
  • The film uses numerous Photoshop layers from cardboard play and light phenomena, reflecting Waszyński's film via a CD captured by a computer camera.
  • The soundtrack was composed first as a collage of crackles, instruments, and decomposed voices from An-ski's text.
  • Lericolais employs a calculated randomness to synchronize image and sound, with the film's frame rate proportional to the musical measure.
  • A small scannogram by Lericolais is displayed next to the presentation text at the museum.
  • The artist uses everyday technology like a phone, computer, or scanner for his photo and video works.

Entities

Artists

  • Rainier Lericolais
  • Shalom An-ski
  • Michał Waszyński
  • Boris Aronson
  • Aurélie Cavanna

Institutions

  • Musée d'art et d'histoire du judaïsme
  • artpress

Locations

  • Paris
  • France

Sources