Rachel Harrison Sculpture Explores Faith as Tactile Uncertainty
Rachel Harrison's sculpture examines religious faith as a tactile experience of reaching for the unseen. The work embodies a careful, uncertain groping rather than visual clarity. Meanwhile, the proliferation of self-proclaimed anti-establishment exhibitions in the art world underscores that no institution or practice is beyond critique. Harrison's approach contrasts with these shows by focusing on intimate, material engagement with belief.
Key facts
- Rachel Harrison is a sculptor.
- Her work explores religious faith as a feeling of reaching for something not fully seen.
- The article contrasts Harrison's approach with self-anointed anti-establishment shows.
- The anti-establishment shows demonstrate that nothing in the art world is sacred.
- Harrison's sculpture emphasizes tactile uncertainty over visual clarity.
Entities
Artists
- Rachel Harrison
Institutions
- artcritical