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Prada Frames 2026 Symposium Examines Image Power and Cost in Milan

festival-fair · 2026-04-22

The fifth edition of Prada Frames, curated by Formafantasma, concluded in Milan with a focus on image production as a cultural, political, and material force. Under the theme "In Sight," the symposium challenged the immateriality of digital culture, emphasizing the physical impact of image infrastructure. Speakers included Jonas Staal, who discussed propaganda and Jeff Bezos's mega-yacht Koru, and Alfredo Jaar, who reflected on his Rwanda Project and the ideology within images. The event was held at the Sacrestia della Chiesa di Santa Maria delle Grazie, a Renaissance space attributed to Bramante, near Leonardo da Vinci's Last Supper. Over three days, from Sunday to Tuesday, attendees experienced lectures without visual aids, highlighting a contrast to Milan Design Week's frenetic pace. Key discussions addressed how visual abundance affects truth discernment and the blurred lines between human creation and algorithmic generation. Staal distributed posters from his Redistribute Extinction project, while Jaar reiterated that no image is innocent, drawing from his 1994-2000 work on the Rwandan genocide. Other notable speakers included Paola Antonelli and Hans Ulrich Obrist, contributing to a program that demystified digital immateriality through topics like resource extraction and energy consumption.

Key facts

  • Prada Frames 2026 was the fifth edition of the annual symposium curated by Formafantasma.
  • The theme "In Sight" centered on image production as a cultural, political, and material force.
  • Speakers included Jonas Staal, Alfredo Jaar, Paola Antonelli, and Hans Ulrich Obrist.
  • The event took place over three days in Milan during Design Week.
  • It was hosted at the Sacrestia della Chiesa di Santa Maria delle Grazie, a Renaissance space attributed to Bramante.
  • Jonas Staal discussed propaganda and Jeff Bezos's mega-yacht Koru, distributing posters from his Redistribute Extinction project.
  • Alfredo Jaar spoke about his Rwanda Project, initiated in 1994 after the genocide, emphasizing that no image is innocent.
  • The symposium highlighted the physical impact of digital image infrastructure, including resource extraction and energy consumption.

Entities

Artists

  • Jonas Staal
  • Alfredo Jaar
  • Paola Antonelli
  • Hans Ulrich Obrist
  • Leonardo da Vinci
  • Domenico Morone
  • Francesco Morone
  • Bramante
  • Fabio Giampietro
  • Sabato De Sarno

Institutions

  • Prada Frames
  • Formafantasma
  • Artuu
  • Three Productions
  • Alcova
  • UPRISE

Locations

  • Milan
  • Italy
  • New York
  • United States
  • Rwanda
  • Chile
  • Africa
  • Santa Maria delle Grazie
  • Villa Pestarini
  • Ospedale di Baggio
  • Porta di Milano

Sources