ARTFEED — Contemporary Art Intelligence

Poland Pavilion at Venice Biennale Stands Out as Best

exhibition · 2026-04-26

The 60th Venice Biennale, named 'Stranierə Ovunque' (Foreigners Everywhere), has received backlash for its unoriginal approach to the theme. Curator Adriano Pedrosa emphasizes intersectionality and colonial critiques, resulting in predominantly modest pieces overwhelmed by complex discussions surrounding migration and gender. Notably, the Poland Pavilion, curated by Open Group, features 'Repeat After Me,' which showcases videos of Ukrainian refugees expressing war sounds and encourages audience engagement. This installation reflects on the Russian invasion of Ukraine that commenced on February 24, 2022, and underscores the notion of 'foreigners everywhere' as invaders. Although the previous Polish administration had opted for a different exhibition, the current government chose Open Group. Nonetheless, its significance does not compensate for the overall Biennale's shortcomings.

Key facts

  • 60th Venice Biennale titled 'Stranierə Ovunque' (Foreigners Everywhere)
  • Curator: Adriano Pedrosa
  • Poland Pavilion features 'Repeat After Me' by Open Group
  • Installation includes videos of Ukrainian refugees making war sounds
  • Visitors repeat sounds into microphones in a karaoke setup
  • Previous Polish government selected different display; new government under Donald Tusk chose Open Group
  • Filmed in Berlin, New York, and Ireland
  • Russian invasion of Ukraine began February 24, 2022

Entities

Artists

  • Claire Fontaine
  • Adriano Pedrosa
  • Open Group
  • Francesco Napolitano

Institutions

  • Venice Biennale
  • Poland Pavilion
  • Artribune

Locations

  • Venice
  • Italy
  • Poland
  • Ukraine
  • Berlin
  • Germany
  • New York
  • United States
  • Ireland

Sources