Poet Oluwaseun Olayiwola responds to Takashi Murakami's Edo-period reimagining at Gagosian London

Poet Oluwaseun Olayiwola has written a new poem responding to Takashi Murakami's work 'Rakuchū-Rakugai-zu Byōbu: Iwasa Matabei RIP (2023–24)', which is currently displayed in the exhibition 'Japanese Art History à la Takashi Murakami' at Gagosian in London. Murakami's exhibition reinterprets Edo-period Japanese social painting through his distinctive aesthetic, blending traditional elements like gold leaf with contemporary motifs such as floral emoticons. The Japanese artist, known for his critique of Western influence on postwar Japanese culture and artworld institutions, has consistently worked to reshape perceptions of contemporary art in Japan. Olayiwola's poem 'Do Not Say The “D” Word' engages with Murakami's themes of cultural narratives, aesthetic evolution, and historical imposition. The poet is a critic and inaugural member of the Rose Choreographic School at Sadlers Wells East in London, with his debut collection 'Strange Beach' published this year by Fitzcarraldo Editions in the UK and Soft Skull Press in the US. Murakami's widespread influence extends beyond galleries to collaborations with Louis Vuitton and appearances in Billie Eilish music videos. The exhibition features large-scale works filled with intricate details and everyday drama, contemplating how cultural stories and visual languages are enforced across time. Olayiwola's poem was published by ArtReview as part of their monthly series featuring original poetry inspired by contemporary art.