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Pino Boresta draws parallel between Italian football victory and need to revitalize Italian contemporary art

opinion-review · 2026-04-27

In a passionate opinion piece on Artribune, artist Pino Boresta uses Italy's 2021 European Championship win as a metaphor for reforming the Italian contemporary art system. He criticizes the English for unsportsmanlike behavior after their defeat, including booing the Italian anthem and leaving before the trophy ceremony, contrasting it with the myth of English fair play. Boresta then pivots to the art world, arguing that just as the Italian national team succeeded by placing the right people (Roberto Mancini, Gabriele Gravina) in key positions, the Italian art system should similarly appoint honest directors free from gallerist and collector influences. He suggests that international attention should shift from declining Young British Artists (YBA) like Damien Hirst to overlooked innovative Italian artists. Boresta laments the persistent mismanagement of Italian art institutions, where personal interests prevail, but finds hope in the example of tennis player Matteo Berrettini, who despite losing to Novak Đoković at Wimbledon, showed that Italian talent can compete globally. He calls for courage to support deserving Italian artists, echoing the football team's spirit. The article is part of Artribune's newsletters (Incanti, Render, PAX) and includes a digital artwork by Boresta titled "E il Fair Play inglese?" and a portrait of Berrettini.

Key facts

  • Pino Boresta is an Italian artist born in Rome and living in Segni (Rome).
  • Italy won the 2020 UEFA European Championship in 2021, defeating England at Wembley Stadium.
  • Boresta criticizes English fans for booing the Italian anthem and leaving before the ceremony.
  • He compares the English behavior to earlier Italian incidents (booing Argentina's anthem, removing medals).
  • Boresta argues that the Italian football team's success came from honest leadership (Mancini, Gravina).
  • He calls for similar integrity in Italian art institutions, free from gallerist and collector influence.
  • He suggests the international art system should look beyond declining YBA artists like Damien Hirst.
  • Boresta cites Matteo Berrettini's Wimbledon final loss to Novak Đoković as proof of Italian potential.
  • The article is published on Artribune, an Italian art news platform.
  • Boresta's digital artwork 'E il Fair Play inglese?' accompanies the piece.

Entities

Artists

  • Pino Boresta
  • Damien Hirst
  • Matteo Berrettini
  • Novak Đoković

Institutions

  • Artribune
  • Young British Artists (YBA)
  • Wembley Stadium
  • Wimbledon

Locations

  • Rome
  • Segni (Rome)
  • London
  • Italy
  • England
  • Wembley

Sources