Pierre Obando's Serendipitous Error Aesthetic at Rush Arts Gallery
Pierre Obando presented an intriguing exhibition at Rush Arts Gallery, focusing on the concept of fortunate mistakes through subtle misregistration in his paintings and photographs. While he employed the Ben Day dot technique, his approach diverges from Roy Lichtenstein’s Pop art, drawing closer to the intellectual themes found in R.H. Quaytman's op art. The show was open until March 28, 2009, at 526 West 26th Street, #311, in NYC, between 10th and 11th avenues. Obando’s unique style evokes complex and often elusive emotions through its subtle quirkiness. For more information, the gallery could be reached at 212 691 9552. This exhibition was highlighted as an artcritical CAPSULE in March 2009.
Key facts
- Pierre Obando exhibited paintings and photographs at Rush Arts Gallery
- Exhibition explored aesthetic of serendipitous error through misregistration
- Used Ben Day dot technique distinct from Roy Lichtenstein's Pop art
- Work aligns more with R.H. Quaytman's cerebral op art approach
- Exhibition ran until March 28, 2009
- Located at 526 West 26th Street, #311, between 10th and 11th avenues in New York
- Gallery contact: 212 691 9552
- Documented as artcritical CAPSULE in March 2009
Entities
Artists
- Pierre Obando
- Roy Lichtenstein
- R.H. Quaytman
Institutions
- Rush Arts Gallery
- artcritical
Locations
- New York City
- United States
- 526 West 26th Street