Pierre Guyotat's 'Coma': A Descent into Language and Life
In 'Coma', Pierre Guyotat recounts his 1981 collapse and subsequent recovery, offering a profound meditation on creation, suffering, and language. The book, published by Mercure de France, details his physical and psychological breakdown, including psychiatric internments and assaults, yet avoids self-pity. Guyotat describes himself as a 'medium' and 'messenger', bearing the world's monstrosity through his writing. The narrative weaves past and present, real figures and mythological ones, with recurring motifs of sweetness and gentleness. Catherine Brun's biographical essay on Guyotat provides context for his crisis, which involved editorial rejections, censorship, and substance abuse. Guyotat's language is described as a 'doux bain de colère' (sweet bath of anger), and he sees his work as aligned with the Earth's axis, a planetary movement. The text challenges the boundary between life and literature, asserting that his writing is life itself.
Key facts
- Pierre Guyotat's 'Coma' was published by Mercure de France.
- Guyotat was found unconscious in his room in December 1981.
- He was taken to Hôpital Broussais by emergency services.
- The book recounts his year-long physical, physiological, and social collapse.
- Catherine Brun wrote a biographical essay on Guyotat.
- Guyotat's earlier work 'Tombeau pour cinq cent mille soldats' was adapted for the stage by Antoine Vitez.
- Guyotat describes himself as a 'prophet of myself' and a 'humble plowman of language'.
- The narrative includes memories of his aunt, a Ravensbrück survivor.
Entities
Artists
- Pierre Guyotat
- Antoine Vitez
- Catherine Brun
Institutions
- Mercure de France
- Hôpital Broussais
- Chaillot
Locations
- rue de la Gaieté
- Paris
- France
- Ravensbrück
- North Niger
Sources
- artpress —