Pierre Buraglio's Drawing Practice Explored in Artpress
The article in artpress n°432 (April 2016) examines Pierre Buraglio's lifelong engagement with drawing, which has persisted throughout his career despite his initial association with the Supports/Surfaces movement in painting. For Buraglio, painting and drawing have always been intertwined, as have classical themes (seen in his series 'D'après...') and contemporary practices involving the addition of glass, wood, and other materials. The text highlights how drawing remains a constant thread in his oeuvre, bridging traditional and experimental approaches.
Key facts
- Article published in artpress n°432, April 2016, pp. 56-57.
- Pierre Buraglio began his practice with painting as part of the Supports/Surfaces movement.
- Drawing has been a continuous element throughout Buraglio's work.
- Buraglio's series 'D'après...' engages with classical themes.
- His contemporary practice incorporates materials like glass and wood.
- The article discusses the interplay between painting and drawing in Buraglio's art.
- Drawing serves as a link between classical and contemporary practices.
- The text is part of artpress magazine, a French art publication.
Entities
Artists
- Pierre Buraglio
Institutions
- artpress
- Supports/Surfaces
Sources
- artpress —