ARTFEED — Contemporary Art Intelligence

Piero della Francesca's Sant'Agostino Polyptych Reunited After 555 Years in Milan

exhibition · 2026-04-26

For the first time in 555 years, the surviving panels of Piero della Francesca's Sant'Agostino Polyptych are reunited at the Museo Poldi Pezzoli in Milan. The polyptych, commissioned by the Augustinians of Sansepolcro around 1454–1469, was dismembered by the late 19th century and dispersed across private and public collections. Of the eight surviving panels, only one remained in Italy—the San Nicola da Tolentino panel at the Poldi Pezzoli. The reunion was made possible by the temporary closure of the Frick Collection in New York for renovation, which allowed its four panels (San Giovanni Evangelista, Crocifissione, Santa Monica, San Leonardo) to travel. Other lenders include the National Gallery of Art in Washington (Santa Apollonia), the National Gallery of London (San Michele Arcangelo), and the Museu Nacional de Arte Antiga in Lisbon (Sant'Agostino). The exhibition, curated by Machtelt Brüggen Israëls and Nathaniel Silver, runs from March 20 to June 24, 2024. The installation by Italo Rota and Carlo Ratti Associati recreates the lighting of Piero's workshop using Artemide's Discovery Space Spot technology. Diagnostic studies on the Poldi Pezzoli panel, funded by Fondazione Bracco, revealed new insights into the panel's construction and the lost central panel depicting the Coronation of the Virgin.

Key facts

  • The polyptych was commissioned by the Augustinians of Sansepolcro and executed between 1454 and 1469.
  • It was dismembered possibly as early as the 16th century, and by the late 19th century panels were sold separately on the antiquarian market.
  • Only one of the eight surviving panels remained in Italy: San Nicola da Tolentino at the Museo Poldi Pezzoli, Milan.
  • The Frick Collection in New York lent four panels due to its temporary closure for renovation (designed by Annabelle Selldorf).
  • Other lenders: National Gallery of Art, Washington (Santa Apollonia); National Gallery, London (San Michele Arcangelo); Museu Nacional de Arte Antiga, Lisbon (Sant'Agostino).
  • The exhibition is curated by Machtelt Brüggen Israëls (Rijksmuseum/University of Amsterdam) and Nathaniel Silver (Isabella Stewart Gardner Museum).
  • Installation design by Italo Rota and CRA-Carlo Ratti Associati, using Artemide's Discovery Space Spot to simulate the Tuscan sky.
  • Diagnostic studies by Fondazione Bracco confirmed Piero della Francesca reused a pre-existing panel structure and identified the lost central panel as the Coronation of the Virgin.

Entities

Artists

  • Piero della Francesca

Institutions

  • Museo Poldi Pezzoli
  • Frick Collection
  • National Gallery of Art, Washington
  • National Gallery, London
  • Museu Nacional de Arte Antiga
  • Rijksmuseum
  • University of Amsterdam
  • Isabella Stewart Gardner Museum
  • Fondazione Bracco
  • Artemide
  • CRA-Carlo Ratti Associati
  • Artribune
  • Sotheby's

Locations

  • Milan
  • Italy
  • New York
  • United States
  • Washington
  • London
  • United Kingdom
  • Lisbon
  • Portugal
  • Sansepolcro
  • Fifth Avenue
  • Breuer Building

Sources