Photography's Return to Trash and Interactivity
A review in artpress examines contemporary photography's persistent themes of interactivity and trash. Marylène Negro's film "Ni vu. Ni connu. Venez donner une image de vous" engages the former, while Delphine Kreuter's attempt at interactivity is deemed less successful, only mimicking authenticity. Simon Costin and Abigaïl Lane both explore horror with irony, with Costin's work showing a clearer ironic stance.
Key facts
- Photography repeatedly returns to the topoi of interactivity and trash.
- Marylène Negro created a film titled 'Ni vu. Ni connu. Venez donner une image de vous'.
- Delphine Kreuter also attempts interactivity but fails to achieve authenticity.
- Simon Costin and Abigaïl Lane play with horror using irony.
- Simon Costin's work demonstrates a more pronounced irony.
Entities
Artists
- Marylène Negro
- Delphine Kreuter
- Simon Costin
- Abigaïl Lane
Institutions
- artpress
Sources
- artpress —