Philippe Quesne on Poetry, Melancholy, and the Stage as Utopia
In a conversation with Artribune, Philippe Quesne, a French artist and founder of Vivarium Studio since 2004, elaborates on his creation 'La Mélancolie des dragons'. This work showcases musicians alongside a damaged Citroën AX, forming a minimalist theme park inspired by Snow White. Quesne characterizes his method as crafting a 'prêt-à-porter' environment, highlighting 'inhabited sets' that facilitate interaction between humans and animals. He delves into the creation of enchanting visuals, promoting trust and optimism in art over economic considerations, while he critiques the term 'profit' as diminished in value. His unfulfilled aspiration is to create on a deserted island. This interview is featured in the 'Words Breakers' initiative for the World Breakers_Drodesera XXXVI festival, curated by Dalila D'Amico and Chiara Pirri.
Key facts
- Philippe Quesne directs Vivarium Studio since 2004.
- He studied fine arts and debuted as a set designer.
- His work 'La Mélancolie des dragons' features rockers stranded in snow with a Citroën AX.
- The show includes a minimalist amusement park built for Snow White.
- Quesne's creative process starts with simple images or actions.
- He views the stage as a microcosm and an alternative to real society.
- The interview is part of World Breakers_Drodesera XXXVI festival.
- The interview was curated by Dalila D'Amico and Chiara Pirri.
Entities
Artists
- Philippe Quesne
- Dalila D'Amico
- Chiara Pirri
- Alessandra Cava
- Georges Perec
Institutions
- Vivarium Studio
- Artribune
- Centrale Fies
- WorkOfOthers
Locations
- Paris
- Roma
- Italy