Philippe Parreno's 'Anywhere Anywhere Out of the World' at Palais de Tokyo

Philippe Parreno's solo exhibition 'Anywhere Anywhere Out of the World' occupies the entire Palais de Tokyo in Paris, running from autumn 2013. The show is structured as a collaborative, polyphonic work, with a player piano performing Igor Stravinsky's 'Petrouchka' acting as the exhibition's 'master' program. Parreno reconfigures old and new pieces, including works by Liam Gillick, Tino Sehgal, and Dominique Gonzalez-Foerster. The exhibition features a Marquee on the facade, a LED screen showing 'No More Reality', a robot from the film 'Marilyn', and a reenactment of Merce Cunningham's 2002 exhibition at Margaret Roeder Gallery. A garden from Parreno's film 'CHZ' is displayed alongside real-time images of its Portuguese location. The show includes a library intervention by Gonzalez-Foerster, a performance by Tino Sehgal reprising the character Annlee, and a screening of 'Zidane' with 17 projectors. Parreno collaborated with landscape architect Bas Smets to create an architecture of displacement, intending some architectural gestures to remain. A catalogue with photos by Darius Khondji, a discussion with Carlos Basualdo, and a text by Michel Serres will be published. Future projects include exhibitions at the Armory in New York, Hangarbicoca in Milan, Serralves Museum in Porto, and a collaboration with Hans Ulrich Obrist and Daniel Birbaum for Luma Foundation. Parreno is also working on film adaptations of Huysmans' 'À Rebours' and 'Frankenstein'.