Philippe Caubère Critiques 'Performance' in Contemporary Art
In February 2015, artpress published a feuilleton by Jacques Henric titled 'L’ombre de la corne' in issue 419. The text discusses actor and writer Philippe Caubère's aversion to the term 'performance' within contemporary art contexts. Caubère argues that in its worst manifestations, the word can refer to public exhibitions marked by intellectual debility and physical acts that leave audiences stunned. He contrasts these with performances by choreographers, circus artists, or other practitioners, implying a distinction in artistic merit. The piece appears as a critical commentary, reflecting on terminology and artistic quality without specifying particular events or dates beyond the publication. No locations or additional participants are mentioned, focusing solely on Caubère's perspective as presented by Henric in the magazine.
Key facts
- artpress issue 419 was published in February 2015
- Jacques Henric authored the feuilleton 'L’ombre de la corne'
- Philippe Caubère expresses dislike for the word 'performance'
- Caubère critiques public exhibitions in contemporary art
- He associates some performances with intellectual debility
- Physical acts in these contexts can leave audiences stunned
- Caubère compares them to performances by choreographers and circus artists
- The text is a critical commentary on artistic terminology
Entities
Artists
- Jacques Henric
- Philippe Caubère
Institutions
- artpress
Sources
- artpress —