Peter Agostini's Sculptural Legacy Showcased in New York Exhibition
From June 1 to June 23, 2006, Salander-O’Reilly Galleries in New York showcases a collection of works by sculptor Peter Agostini (1913–1993). Merging classical styles with modernist elements, Agostini drew inspiration from both Renaissance artists and Tang dynasty tomb sculptures. His artistic endeavors in the 1950s and 1960s included life studies and castings of common objects, exemplified by pieces like "Butterfly" (1959) and "Swell" (1965). In the 1970s, he shifted his focus to figural sculptures, creating works such as "Untitled Head" (1972) and "Old Apollo" (1976). His horse sculptures reflect cubist and ancient influences. Agostini's impact is evident in students like Chris Cairns and Bruce Gagnier, the latter recently showcasing this influence in an exhibition.
Key facts
- Peter Agostini (1913–1993) was an American sculptor overlooked in mid-20th century art history.
- An exhibition of his work runs from June 1 to June 23, 2006, at Salander-O’Reilly Galleries in New York.
- Agostini's sculptures blend classical traditions with influences from Renaissance masters and Tang dynasty art.
- He created castings of everyday objects in the 1950s and 1960s, associated with Pop Art but closer to romantic realism.
- Key works include "Butterfly" (1959) and "Swell" (1965), which feature surreal and ambiguous elements.
- By the 1970s, he focused on figural works like "Untitled Head" (1972) and "Old Apollo" (1976).
- His horse sculptures are subtly stylized and connect to cubism and ancient traditions.
- Agostini's pupils include Chris Cairns and Bruce Gagnier, with Gagnier's show at Lori Bookstein demonstrating his influence.
Entities
Artists
- Peter Agostini
- Verrocchio
- Donatello
- Edwin Dickinson
- Ivan Albright
- Walter Murch
- Racheal Whiteread
- Ruben Nakian
- Chris Cairns
- Bruce Gagnier
Institutions
- Salander-O’Reilly Galleries
- Lori Bookstein
Locations
- New York
- United States