Personal reflection on art world gatekeeping amid NFT and street art trends
The author reflects on personal experiences with art snobbery, triggered by their father's enjoyment of Banksy's 2005 book Wall and Piece. Street art and NFTs are cited as populist developments that challenge traditional art world standards. Banksy and KAWS are mentioned as artists whose work appeals to broader audiences, while NFTs are noted for expanding interest in art despite their aesthetic similarities to computer-aided illustration. The author admits to resisting democratizing trends in contemporary art, questioning whether this stance stems from maintaining standards or snobbery. The piece explores tensions between esoteric and accessible art, pondering if art's widespread popularity aligns with historical desires for change. No specific dates or locations beyond general references to London galleries and online platforms like deviantart.com are provided.
Key facts
- The author's father owned Banksy's 2005 book Wall and Piece
- Street art like Banksy and KAWS is seen as one-dimensional by the author
- NFTs are described as having an aesthetic resembling computer-aided illustration
- The author acknowledges resisting democratizing trends in art
- Art's expanded audience over recent decades includes fans of populist artists
- The piece questions whether art world gatekeeping is snobbery or standard-setting
- No specific events or dates beyond 2005 are detailed
- The reflection is personal, without external events or announcements
Entities
Artists
- Banksy
- Barry Flanagan
- Matisse
- KAWS
Institutions
- ArtReview
Locations
- London
- United Kingdom