Performing art struggles to reach broad audiences despite institutional recognition

Performing arts have gained recognition in prominent exhibitions, such as Anne Imhof's Golden Lion at the 2017 Venice Biennale and Alexandra Pirici's 2022 performance. However, it continues to have difficulty connecting with the general public. The terminology is perceived as either excessively broad or too niche, hindering its market integration. Although performance is prevalent among contemporary Italian creators, only a select few, like Marina Abramović or Bruce Nauman, commit entirely to it. Critics such as Lea Vergine have championed body art, yet contemporary performance is often dispersed across various media. Artists frequently merge different forms, moving away from their original contexts. Performance remains divided and collective, frequently associated with theater and dance. Museums ought to improve the visibility of performance art by featuring both historical and modern artists.