Paul Griffiths' book on Jean Barraqué reviewed
Jean-Philippe Guinle reviews Paul Griffiths' book on Jean Barraqué in art press n°362. Barraqué, a 20th-century composer, remains obscure despite his genius. His loss of Catholic faith led him to sacralize music, declaring his art would be realized in 'the isolated fullness of rigorous despair.' His atheism isolated him, including a tragic relationship with Michel Foucault, who introduced him to Nietzsche's poems and Hermann Broch's 'The Death of Virgil.' Barraqué studied under Messiaen and was briefly friends with Boulez, but chose dodecaphonic technique for its complexity serving sensitivity. His monumental Piano Sonata (1952) rivaled Beethoven's 'Hammerklavier,' and he pioneered silence as an essential musical element. Later works incorporated 'proliferating series' like cancer, symbolizing mortal risk. He said in 1969, 'To be a composer is to be a creator; and creation is death.' Pierre Souvtchinsky noted that 'disease executed what Barraqué perhaps did not dare: stop his life.' Despite Messiaen's praise, his death did not immediately secure his rank. His writings on Debussy and Beethoven remain exemplary.
Key facts
- Jean Barraqué was a 20th-century composer whose work remains largely unknown.
- He lost his Catholic faith, which he described as a catastrophe.
- He declared his art would be realized in 'the isolated fullness of rigorous despair without compromise, without redemption, without happiness (but in hell).'
- His atheism isolated him, including a failed relationship with Michel Foucault.
- Foucault introduced him to Nietzsche's poems and Hermann Broch's 'The Death of Virgil.'
- Barraqué studied under Olivier Messiaen and was briefly friends with Pierre Boulez.
- He chose dodecaphonic technique for its complexity serving sensitivity.
- His Piano Sonata (1952) rivaled Beethoven's 'Hammerklavier' Sonata op. 106.
- He was the first to use silence as an essential element of musical composition.
- Later works introduced 'proliferating series' like cancer, symbolizing mortal risk.
- He said in 1969, 'To be a composer is to be a creator; and creation is death.'
- Pierre Souvtchinsky wrote that 'disease executed what Barraqué perhaps did not dare: stop his life.'
- Olivier Messiaen said Barraqué 'deserves the most total attention.'
- His writings on Debussy and Beethoven remain exemplary.
Entities
Artists
- Jean Barraqué
- Michel Foucault
- Olivier Messiaen
- Pierre Boulez
- Pierre Souvtchinsky
- Paul Griffiths
- Jean-Philippe Guinle
- Hermann Broch
- Friedrich Nietzsche
- Claude Debussy
- Ludwig van Beethoven
- Joseph Haydn
- Franz Schubert
Institutions
- Éditions Hermann
- art press
Sources
- artpress —