Paul Gravett's 'Mangasia' Explores Asian Comics Beyond Japanese Manga
Paul Gravett's extensive 300-page volume, 'Mangasia: The Definitive Guide to Asian Comics,' published by Thames & Hudson at a price of £29.95 in softcover, provides a comprehensive exploration of comic art throughout Asia. This book is linked to a traveling exhibition curated by Gravett at London’s Barbican Centre and is organized into six thematic sections that delve into historical, geopolitical, and cultural contexts. It traces the roots of manga back to 17th- and 18th-century Japanese woodblock prints, with Hokusai noted as an early influence. Although the focus is primarily on Japanese manga, it also addresses Korean manhwa, Chinese manhua, and older works from the Philippines, Indonesia, India, Thailand, and Taiwan. Gravett's definition of Asia includes no regions west of Pakistan or north of Mongolia and northern Japan. The book discusses how comics evolved through economic development, cultural production, social norms, and artistic traditions, noting transitions from pulp to intricate narratives, including those about World War II. It also examines manga's integration into digital culture and the impact of censorship and Western influences. J.J. Charlesworth's review in the Winter 2017 issue of ArtReview Asia acknowledges the historical scope while questioning the representation of non-Japanese comics.
Key facts
- Paul Gravett authored 'Mangasia: The Definitive Guide to Asian Comics'
- Thames & Hudson published the book at £29.95 in softcover
- The book accompanies a touring exhibition organized by London's Barbican Centre
- Gravett defines Asia as no further west than Pakistan and no further north than Mongolia and northern Japan
- Japanese manga forms the largest part of the material, followed by Korean manhwa and Chinese manhua
- The book traces manga's origins to 17th- and 18th-century Japanese woodblock printing, with Hokusai as a precursor
- It includes examples from the Philippines, Indonesia, India, Thailand, and Taiwan, often older and stylistically limited
- The review by J.J. Charlesworth appears in the Winter 2017 issue of ArtReview Asia
Entities
Artists
- Paul Gravett
- Hokusai
- J.J. Charlesworth
Institutions
- Thames & Hudson
- Barbican Centre
- ArtReview Asia
Locations
- London
- United Kingdom
- Japan
- Korea
- China
- Pakistan
- Mongolia
- Philippines
- Indonesia
- India
- Thailand
- Taiwan
- Hong Kong