Paul Audi's Essay on Eugène Leroy's Haptic Vision
Philosopher Paul Audi has published an essay examining the late works of painter Eugène Leroy, focusing on the mystery of figuration achieved through successive paint layers and pictorial archaeology. Audi introduces the concept of a 'haptic function' in Leroy's art, where the image is not merely a spectacle but an object to be 'touched' by the gaze, akin to a bas-relief. The essay explores how Leroy's final paintings manifest a life transformed, devoid of Eros yet capable of love. Audi situates Leroy within art history, referencing Velázquez and Cézanne, and argues that painting, more than other media, is an art of memory. The publication coincides with the centenary of Leroy's birth, marked by an exhibition of his works on paper at Galerie Bruno Mory and an accompanying catalogue. The essay was reviewed by Donatien Grau.
Key facts
- Paul Audi's essay 'Le regard libéré d'Eugène Leroy' is published by Galerie de France.
- The essay focuses on Eugène Leroy's late works and their approach to figuration.
- Audi introduces a 'haptic function' in Leroy's art, emphasizing touch through sight.
- Leroy's final paintings are described as manifesting a life without Eros but capable of love.
- The essay references Velázquez and Cézanne as influences on Leroy.
- Audi argues that painting is an art of memory.
- An exhibition of Leroy's works on paper is held at Galerie Bruno Mory for his centenary.
- A catalogue accompanies the exhibition.
- The review was written by Donatien Grau.
Entities
Artists
- Eugène Leroy
- Paul Audi
- Diego Velázquez
- Paul Cézanne
- Donatien Grau
Institutions
- Galerie de France
- Galerie Bruno Mory
Locations
- France
Sources
- artpress —