Patricia Treib's First Solo Show at Wallspace Features Abstract Paintings with Embedded Motifs
From November 1 to December 21, 2013, Wallspace in New York City hosted Patricia Treib's first solo exhibition, which included nine oil paintings, two collages, and one pastel drawing. Her artistic style merges elements from both Henri Matisse and Jackson Pollock, exploring themes of contemporary abstraction. Works such as Accoutrements (2013) and Glass Clock (2012) highlight the performative nature of painting. In Accoutrements, five motifs surround a central ochre shape, while the Glass Clock series experiments with transparency. Utilizing thinned paint and broad brushes, Treib creates nearly human-scale pieces that invite viewer engagement. Compositions like Camera (II) (2013) feature glyphs that manipulate visual pace, showcasing a blend of improvisation and skill.
Key facts
- Patricia Treib's first solo show at Wallspace ran from November 1 to December 21, 2013
- The exhibition included nine oil paintings, two collages, and one pastel drawing
- Treib's work synthesizes influences from Henri Matisse and Jackson Pollock
- Her paintings focus on banal details from historical paintings and mechanical devices
- Titles allude to time and vestment, emphasizing performative aspects of painting
- Treib works on the floor or tabletop with thinned paint and large brushes
- Many works are near human scale, enhancing choreographic effects
- Compositions incorporate dark glyphs that function like musical notation or punctuation
Entities
Artists
- Patricia Treib
- Henri Matisse
- Jackson Pollock
- Charline von Heyl
- Amy Sillman
- Laura Owens
Institutions
- Wallspace
- artcritical
Locations
- New York City
- United States