Pascal Convert critiques Bologna reforms for art schools
Artist and historian Pascal Convert argues that the Bologna Process, signed by France in 1999 and extended to art schools under the Ministry of Culture, has subordinated art education to university standards. The equivalence of diplomas was managed by the AERES, whose council includes no artists—only university researchers. Convert notes that prestigious European schools like the Kunstakademie Düsseldorf and the Royal College of Art refused to comply. He asserts that art school pedagogy, rooted in the Bauhaus tradition, centers on heuristic learning and 'savvy improvisation,' contrasting with university prerequisites. Convert calls for a refounding of art schools' mission to foster collective singularization rather than market value, warning that the Ministry of Culture must not abandon its oversight role, as 'culture for all' (Enlightenment ideal) is threatened by 'culture for each' (nationalism).
Key facts
- Bologna Process signed by France in 1999
- Extended to art schools under Ministry of Culture
- AERES managed diploma equivalence, no artists on its council
- Kunstakademie Düsseldorf and Royal College of Art refused compliance
- Art school pedagogy is heuristic, centered on experimentation
- Bauhaus is the foundational model for art schools
- Convert advocates for 'culture for all' over 'culture for each'
- Ministry of Culture should retain responsibility for art schools
Entities
Artists
- Pascal Convert
- Raymond Aubrac
- Pablo Picasso
Institutions
- École supérieure d'art des Rocailles
- Ministère de la Culture
- Agence d'évaluation de la recherche et de l'enseignement supérieur (AERES)
- Académie des beaux Arts de Düsseldorf
- Royal College of Art
- Bauhaus
- artpress
Locations
- France
- Biarritz
- Düsseldorf
- Germany
- London
- United Kingdom
- Europe
Sources
- artpress —