Parisian artist squats: from occupation to institutionalization
The article examines the phenomenon of artist squats in Paris, tracing their evolution from illegal occupations to recognized cultural spaces. It highlights key locations such as Les Frigos, Le 59 Rivoli, and La Générale, which have transitioned from temporary artist takeovers to semi-permanent studios and galleries. The piece discusses the tension between artistic autonomy and institutional co-optation, noting that many squats have been legalized or supported by the city, altering their original rebellious character. The author reflects on how these spaces have historically provided affordable work environments for artists, but increasing real estate pressures and municipal regulations threaten their survival. The article also mentions the role of collectives like Les Ateliers du 59 and the impact of cultural policies under different mayoral administrations. It concludes by questioning whether the current model of artist squats can sustain its countercultural ethos while gaining official recognition.
Key facts
- Artist squats in Paris have shifted from illegal occupations to institutionalized spaces.
- Les Frigos, Le 59 Rivoli, and La Générale are notable examples.
- The city of Paris has legalized or supported some squats.
- Rising real estate prices threaten the existence of artist squats.
- Collectives like Les Ateliers du 59 have formalized their status.
- Municipal cultural policies have influenced the evolution of squats.
- The article questions the sustainability of the countercultural ethos.
- The piece was published in artpress n°448 in October 2017.
Entities
Institutions
- Les Frigos
- Le 59 Rivoli
- La Générale
- Les Ateliers du 59
- artpress
Locations
- Paris
- France
Sources
- artpress —