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Paolo Maggis on Trusting Culture: Art, Individuality, and Society

opinion-review · 2026-04-27

Artist Paolo Maggis reflects on the role of art and culture in society, arguing against the instrumentalization of art for social or political ends. He contends that true art arises from individual expression and cannot be reduced to a tool for consensus or social engineering. Maggis criticizes the pressure on artists to prioritize social impact over personal vision, warning that such demands lead to homogenized, accommodating art that loses its transformative power. He calls for renewed trust in culture, economic support for artistic production, and a return to cultural discussion as the foundation of education and society. Maggis, born in Milan in 1978, studied at the Accademia di Belle Arti di Brera, lives and works between Milan and Barcelona, and has exhibited in private galleries and public museums including Palazzo Forti. The text was published on Artribune in May 2020.

Key facts

  • Paolo Maggis is an Italian painter born in Milan in 1978.
  • He studied at the Accademia di Belle Arti di Brera.
  • He lives and works in Milan and Barcelona.
  • He has exhibited in private galleries in Italy and abroad.
  • He has participated in public museum exhibitions including at Palazzo Forti.
  • The article was published on Artribune in May 2020.
  • Maggis argues against separating individual and social in art.
  • He calls for economic support for cultural production and discussion.

Entities

Artists

  • Paolo Maggis

Institutions

  • Accademia di Belle Arti di Brera
  • Palazzo Forti
  • Artribune

Locations

  • Milan
  • Italy
  • Barcelona
  • Spain

Sources