Pandemic Exposes the Crisis of Fiction in Art
Christian Caliandro argues that the COVID-19 pandemic has shattered the capacity for fiction in art and culture. The virus, as Ivan Carozzi wrote, 'unmasks and reveals the world,' acting as an amplifier for pre-existing processes hidden by routine. Time now feels both identical and different, forcing a confrontation with the present. The obsession with 'after the pandemic' is a defense mechanism, an illusion to mitigate inadequacy. Cultural objects that once thrived on display and ostentation now feel broken and out of tune. The old model—based on overload, rigidity, hierarchy, exclusion—belongs to the past. A new art embraces emptiness, the moment, and a different form of truth, sincerity, and intimacy. The fracture between art and context may widen, but reconstruction lies in investigating this ambiguity that persists.
Key facts
- Christian Caliandro is the author of the article.
- Ivan Carozzi wrote that 'the virus is the truth' and 'unmasks and reveals the world.'
- The article is part of a series titled 'L'arte rotta' (Broken Art).
- The article was published on Artribune in April 2020.
- The pandemic is described as an 'amplifier' for pre-existing processes.
- The obsession with 'after the pandemic' is seen as an illusion and self-defense.
- Cultural objects that relied on ostentation are now considered inadequate.
- The new art embraces emptiness, the moment, truth, sincerity, and intimacy.
Entities
Artists
- Christian Caliandro
- Ivan Carozzi
- Nick Cave
- Serena Fineschi
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane