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Pamela Diamante's 'Mangiatrici di Terra' Reconfigures Southern Italy Narrative at Gilda Lavia Gallery

exhibition · 2026-04-26

Pamela Diamante's exhibition titled 'Mangiatrici di Terra' at Galleria Gilda Lavia in Rome reshapes the narrative of Southern Italy through a blend of photography, installations, fashion, and music. The show showcases six 'uncomfortable' women—Nicole, Marianna, Marzia, Nunzia, Nina, and Tita—who are portrayed with mechanical elements on their mouths, altering their connection to the land. Diamante reinterprets the term 'terroni' to assert subjectivity, drawing on the theories of Antonio Gramsci and Gayatri Spivak. Featured installations include 'La questione meridionale, 2025,' 'Corpi in rivoluzione, 2025,' and 'La scarpa: untitle, 2024.' A fashion collaboration with Antonella of AENDÖR STUDIO resulted in 'Ferro fragile.' 'Alleanze Sonore' includes Puta Caso's reinterpretation of Bizet's Carmen. Surnames of the women are omitted for privacy, and critic Giuliana Schiavone provided a text.

Key facts

  • Pamela Diamante's solo exhibition 'Mangiatrici di Terra' at Galleria Gilda Lavia in Rome
  • Features six women: Nicole, Marianna, Marzia, Nunzia, Nina, and Tita
  • Photographs include mechanical elements on mouths as aesthetic devices
  • Installations: 'La questione meridionale, 2025', 'Corpi in rivoluzione, 2025', 'La scarpa: untitle, 2024'
  • Fashion collaboration with Antonella of AENDÖR STUDIO for 'Ferro fragile'
  • Music piece 'Alleanze Sonore' by Puta Caso distorts Bizet's Carmen, sung by Anna Maria
  • Engages with theories of Antonio Gramsci and Gayatri Spivak
  • Surnames of women omitted to protect privacy

Entities

Artists

  • Pamela Diamante
  • Antonella
  • Puta Caso
  • Anna Maria
  • Giuliana Schiavone
  • Antonio Gramsci
  • Gayatri Spivak

Institutions

  • Galleria Gilda Lavia
  • AENDÖR STUDIO
  • Artribune

Locations

  • Rome
  • Italy
  • Bari

Sources