Oscar Ghiglia exhibition in Florence rehabilitates a painter admired by Modigliani

An exhibition in Florence showcases the work of Oscar Ghiglia (1876–1945), a painter once praised by Amedeo Modigliani but later marginalized due to unfounded accusations of fascist sympathies. The show covers Ghiglia's output from 1908 to 1936, highlighting his adherence to the Novecento movement's return to figuration and classicism, which for him was a natural continuation of his earlier style. Ghiglia's paintings—domestic interiors, landscapes, and still lifes—are characterized by a sober elegance and a melancholic intimacy that evokes the pre-war Italian bourgeoisie. The exhibition also explores Ghiglia's engagement with European modernism, particularly Cézanne's formal innovations, and his affinity with Magic Realism. A notable feature is the juxtaposition of a drawing by Modigliani with Ghiglia's works, underscoring their mutual respect. The show aims to correct the historical record: Ghiglia was apolitical and never collaborated with Mussolini's regime, and the Novecento movement itself was opposed by fascism. The exhibition is curated by Niccolò Lucarelli and includes works from private collections.