New Museum's NYC 1993 Exhibition Critiqued for Historical Omissions and Political Reticence
From February 13 to May 26, 2013, the New Museum showcased NYC 1993: Experimental Jet Set, Trash and No Star, under the curation of Massimiliano Gioni and Lisa Phillips. This exhibition aimed to link contemporary artists with those active two decades earlier. However, some critics contended that it exaggerated the uniqueness of political art in 1993, neglecting feminist influences from the 1960s and 1970s. Amelia Jones highlighted that relational artists like Rirkrit Tiravanija were building on previous groundwork. Notable pieces included David Hammons's In the Hood, Gabriel Orozco's Yielding Stone and Isla en la Isla, Janine Antoni's Lick and Lather, and Glenn Ligon's Red Portfolio. Critics argued the curation resembled a time capsule, failing to explore the distinctions between art from 1993 and 2013.
Key facts
- Exhibition ran February 13 to May 26, 2013 at New Museum's 235 Bowery location
- First New Museum show to occupy all five floors and every gallery
- Curated by Massimiliano Gioni with contributions from director Lisa Phillips
- Critic Amelia Jones noted relational art's debt to 1960s-70s feminist artists
- David Hammons's In the Hood referenced racial violence but missed connection to Trayvon Martin
- Gabriel Orozco's Yielding Stone was a clay ball rolled from Broadway to the museum
- Janine Antoni's Lick and Lather originally shown at 1993 Venice Biennale
- Glenn Ligon's Red Portfolio featured Pat Robertson's 1989 descriptions of Robert Mapplethorpe photos
Entities
Artists
- David Hammons
- Gabriel Orozco
- Janine Antoni
- Glenn Ligon
- Rirkrit Tiravanija
- Félix González-Torres
- Larry Clark
- Robert Mapplethorpe
- Nicolas Bourriaud
Institutions
- New Museum
- College Art Association
- Venice Biennale
- Whitney Biennial
Locations
- New York City
- United States
- Broadway
- West Side Highway
- Manhattan
- Mexico