ARTFEED — Contemporary Art Intelligence

New building inside Rome's Circus Maximus sparks controversy over design and cost

architecture-design · 2026-05-04

A new service building constructed within the archaeological area of the Circus Maximus in Rome has drawn sharp criticism for its poor design and low cost. The structure, a ticket office and service center, was completed in 2019 after a decade-long process that began under Mayor Walter Veltroni. The project aimed to redevelop the area near the Baths of Caracalla, uncovering Roman ruins and creating pedestrian paths. However, the final building, designed by architect Guido Ingrao for the municipal company Zetema, has been described as a 'terrible building' that blocks views of the valley between the Aventine and Palatine hills. The construction cost only €120,000 for 45 square meters, awarded to a company from Avellino that underbid the tender. In contrast, the city later spent €424,000 on augmented reality software for the site. Ingrao defended the project, noting the constraints of archaeology, water table, and sewer lines, and described the building as a lightweight, almost removable structure that could be replaced if Via dei Cerchi is pedestrianized. The controversy highlights ongoing tensions between preservation and development in Rome, where bureaucratic hurdles often lead to mediocre outcomes. The article, written by Massimiliano Tonelli for Artribune, criticizes the lack of ambition and vision in Rome's public administration.

Key facts

  • New service building constructed inside the Circus Maximus archaeological area in Rome.
  • Building serves as ticket office, restrooms, and storage for technological equipment.
  • Project initiated under Mayor Walter Veltroni, construction began January 2009, completed in 2019.
  • Designed by architect Guido Ingrao for Zetema, the municipal company.
  • Construction cost €120,000 for 45 square meters, awarded to a company from Avellino.
  • City spent €424,000 on augmented reality software for the site.
  • Building criticized for blocking views of the valley between Aventine and Palatine hills.
  • Ingrao described the building as lightweight and potentially removable if Via dei Cerchi is pedestrianized.

Entities

Artists

  • Guido Ingrao
  • Massimiliano Tonelli
  • Francesco Visalli

Institutions

  • Comune di Roma
  • Sovrintendenza Comunale di Roma
  • Soprintendenza di Stato
  • Zetema
  • Artribune
  • Macro (Museo d'Arte Contemporanea di Roma)
  • Odile Decq

Locations

  • Rome
  • Italy
  • Circus Maximus
  • Baths of Caracalla
  • Aventine Hill
  • Palatine Hill
  • Via dei Cerchi
  • Avellino
  • Agro Pontino
  • Vatican City
  • Great Synagogue of Rome

Sources