Net Art's Preservation Crisis: Turbulence Archive Seeks Museum Home
Net Art faces a dual crisis of linguistic obscurity and physical preservation. Turbulence.org, a US-based non-profit that has supported and distributed Net Art for twenty years, is now forced to transfer its archive due to dwindling funding. The digital immateriality of Net Art is paradoxically heavy, requiring significant resources for maintenance as software evolves and disappears. The archive has been offered to MoMA and the Whitney Museum, with Rhizome acting as intermediary, but no agreement has been reached. Lorenzo Taiuti, art and media critic and professor at Sapienza University of Rome, discusses these challenges in an article for Artribune Magazine #32, questioning whether a long-standing artistic movement can find a place in contemporary art conservation.
Key facts
- Turbulence.org has supported and distributed Net Art for twenty years.
- The organization is non-profit and faces reduced funding.
- The archive has been offered to MoMA and the Whitney Museum.
- Rhizome contacted the museums on behalf of Turbulence.
- No final decision has been made regarding the archive's transfer.
- Net Art requires significant financial resources for maintenance.
- Lorenzo Taiuti is a critic and professor at Sapienza University of Rome.
- The article appears in Artribune Magazine #32.
Entities
Artists
- Lorenzo Taiuti
Institutions
- Turbulence.org
- MoMA
- Whitney Museum
- Rhizome
- Artribune
- Sapienza University of Rome
- Accademia di Belle Arti di Torino
- Accademia di Belle Arti di Milano
Locations
- United States
- New York
- Rome
- Italy