ARTFEED — Contemporary Art Intelligence

Nathalie Gassel's Autobiographical Turn: Childhood and the Genesis of a Transgressive Body

publication · 2026-04-23

Nathalie Gassel's new release, "Des années d'insignifiance" (Éditions Luce Wilquin), represents a pivotal moment as she delves into her childhood through an autobiographical lens. The title signifies the triviality of those formative years, told with a sense of restraint and serving as a means of catharsis. Gassel recounts her difficult upbringing, marked by her father's neglect and her mother's limitations. She confronts her unique identity and sexual ambivalence, burdened by her father's guilt regarding his achievements, remarking, "Renouncing ambitions—this discretion—must no doubt save us from hatred." In a context of "asceticism of the ego's pleasures," her desire for power becomes her only form of expression. Ultimately, Gassel aims to shed light on her troubled past, yearning for connection and warmth.

Key facts

  • Nathalie Gassel's new book 'Des années d'insignifiance' is published by Éditions Luce Wilquin.
  • The book is an autobiographical account of her childhood, a departure from her previous focus on the body.
  • Gassel describes her childhood as a time of neglect by her father and submission to her mother.
  • She experienced mutism and a refusal of speech during this period.
  • Her father was a Jew of Russian parents who lived in guilt over success.
  • Gassel was aware of her sexual ambivalence, preferring boys' games.
  • The book is seen as a turning point in her work, functioning as an exorcism.
  • The review was written by Cédric Rognon and published on artpress.com in 2006.

Entities

Artists

  • Nathalie Gassel
  • Cédric Rognon

Institutions

  • Éditions Luce Wilquin
  • artpress

Sources